The Tim Ferriss Show
The Tim Ferriss Show

#220: Soman Chainani — The School for Good and Evil

Soman Chainani (@SomanChainani) is a detailed planner, filmmaker, and New York Times best selling author. Soman's debut fiction series, The School for Good and Evil, has sold more than a million copies, has been translated into more than twenty languages across six continents, and will soon be

Featured Speakers

Tim Ferriss HostSoman Chainani Guest

Topics Discussed

Episode Summary

Executive Summary: Tim Ferriss interviews author Soman Chainani about building The School for Good and Evil, emphasizing discipline, creative control, and the interplay between art, business, and identity. Chainani traces his path from debt and failed film ambitions to tutoring, writing, tennis, meditation, and a highly structured life designed to protect creativity and autonomy.

Main Topics: From film-school debt to a writing career (Priority: 5/5): Chainani explains how a collapsed film project, heavy debt, and tutoring pushed him toward books, where he could control both the creative work and its business path. Discipline, routines, and time management (Priority: 5/5): He describes a tightly structured daily system built around tennis, training, writing blocks, and batching all miscellaneous tasks into one day per week. Identity, authenticity, and creative release (Priority: 5/5): Chainani links coming out, feeling like an outsider, and embracing his creative self with improved mental health and artistic output. Tennis as a model for life and craft (Priority: 4/5): Tennis is presented as a technical, obsessive, and revealing practice that exposes weaknesses in his personality and decision-making. Disney, fairy tales, and the origins of School for Good and Evil (Priority: 5/5): He discusses how Disney films, Grimm fairy tales, and fairy-tale theory shaped the series’ moral universe and its challenge to sanitized hero narratives. Protecting intellectual property in Hollywood (Priority: 4/5): Chainani details how he structured the adaptation process to preserve fidelity to the books and avoid the fate of poorly handled adaptations. Meditation, health, and self-experimentation (Priority: 3/5): He shares a minimalist meditation practice and several health hacks, including probiotics, steam inhalation, and bacteria-friendly skincare.

Key Arguments: Creative work should not be financially dependent on art alone; tutoring gave him freedom to write without mercenary pressure. Technical mastery matters more than early competition in tennis; bad habits formed too early can distort long-term development. Identity suppression can block creativity; coming out helped unlock his artistic self and emotional well-being. Middle-grade fantasy can reach both children and adults when it balances accessibility with deeper moral complexity. Hollywood adaptation rights should be controlled carefully by the author, with the right producing and writing team in place. A disciplined body routine can improve mental clarity and overall productivity across work, relationships, and creativity. Following what you are uniquely good at may be more useful than simply following passion.

Data Points: School for Good and Evil books published: 3 novels plus 1 companion handbook - Chainani says the series currently has three books and a graphic handbook, with a fourth book in progress. Planned series length: 6 books total - He expects the series to end with six books to align with the film rollout. Book sales: More than 1 million copies - Tim Ferriss introduces the series as having sold well over a million copies. Translations: 25 languages - Ferriss notes the series has been translated into 25 languages across six continents. NYT bestseller duration: More than 30 weeks - Ferriss cites the series as a New York Times bestseller for over 30 weeks. Debt after film school: Quarter of a million dollars - Chainani says he returned to New York broke and $250,000 in debt after film school and college. Tennis tournament streak: 10 years without losing a first-round match - He describes a long competitive streak before creative work reduced his tournament success. Tour schedule: 60 to 80 days per year - Ferriss references Chainani’s heavy annual touring schedule. Daily fan engagement: 30 minutes - Chainani says he spends at least half an hour a day answering fan questions and engaging readers. Meditation duration: 15 minutes - He describes a daily 15-minute meditation practice focused on dissolving the egoic self. Workout anchors: 2 daily training sessions - He uses morning tennis and an afternoon trainer session as fixed anchors for his day. Acne solution trial: One of the first 10 users - He says he was among the first 10 people to try the AO+/Mother Dirt product. Skin improvement: Within 3 days - He reports his skin cleared within three days of using the probiotic spray.

Pivotal Quotes: "I don't like depending on my art for income because then I start to think in a mercenary way." — Soman Chainani: Explaining why he kept tutoring even after securing a lucrative movie deal. "There should not be any decisions. It should be automatic." — Soman Chainani: Describing his meditation philosophy and how it parallels his approach to tennis and creativity. "What you're good at is what you were divinely meant to do." — Soman Chainani: Arguing against the simplistic advice to merely follow your passion.

Implications: The episode suggests that creative success is often built on discipline, self-knowledge, and control over one’s work. For writers and artists, it highlights the value of routines, audience cultivation, and protecting IP while staying authentic.

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About The Tim Ferriss Show

Tim Ferriss is a self-experimenter and bestselling author, best known for The 4-Hour Workweek. In this show, he deconstructs world-class performers from eclectic areas (investing, sports, business, art, etc.) to extract the tactics, tools, and routines you can use.

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