Science Friday
Science Friday

How Brains Organize Smells, Plant Evolution In Art, New Hearing Aids. July 17, 2020, Part 2

How we smell has been a bit of a mystery to scientists. Other senses are easier to understand: For example, it’s possible to predict what a color will look like based on its wavelength. But predicting what a new molecule will smell like is more difficult. Our sense of smell can be quite complex. Tak

Topics Discussed

Episode Summary

Executive Summary: The episode pairs three science segments: how the brain organizes smell and how odor perception is shaped by experience; how art can be used to trace the evolution and history of crops like watermelon, potato, tomato, and onion; and how hearing loss/tinnitus are increasingly managed with new tech, while prevention remains the best defense. Across all segments, the theme is that sensory systems and human-made records reveal both biology and culture.

Main Topics: How the brain maps smell (Priority: 5/5): A Harvard researcher explains that odors are represented by patterns in the piriform cortex, with similar smells (like lemon and lime) producing similar neural patterns across individuals, while experience can reshape those patterns and perception. Smell, memory, emotion, and language (Priority: 5/5): Smell has a uniquely direct connection to memory and emotion because olfactory information reaches the brain with far fewer processing steps than vision. However, people often struggle to verbalize odors, making smell training partly a language-learning problem. Predicting and engineering odors (Priority: 4/5): Researchers are still far from reliably predicting a smell from a molecule, but understanding chemistry-to-brain relationships could eventually enable fragrance design, better foods, and even olfactory virtual reality. Using art to study plant evolution (Priority: 5/5): A plant biologist and art historian describe cataloging fruits and vegetables in paintings and sculptures to infer how crops looked historically and how they changed over time, while accounting for artistic license. Crop history, trade, and cultural adoption (Priority: 4/5): Examples like watermelon, potato, and tomato show how artworks can illuminate maturation stages, global trade, fear of nightshades, and the lag between a crop's arrival in Europe and its adoption in cuisine. Hearing loss, tinnitus, and modern assistive tech (Priority: 5/5): A book author discusses the common experience of trouble hearing in noisy restaurants, the stigma and delay around hearing aids, the lack of a cure for tinnitus, and the rise of over-the-counter and smartphone-linked devices. Prevention and noise exposure (Priority: 4/5): The segment emphasizes that loud environments—from cities to sports events to military and industrial settings—pose serious risks, and that prevention and better hearing protection are more effective than compensation after damage occurs.

Key Arguments: Smell is difficult to study because odors are mixtures of hundreds of molecules, and the brain must synthesize them into one percept. The piriform cortex shows stable relationships for similar odors across people, explaining why most people agree that lemon and lime are similar. Olfactory representations are plastic; experience can alter odor relationships and change how animals perceive smells. Smell is tightly linked to memory and emotion because olfactory pathways reach memory- and emotion-related regions with very few connections. People often lack the vocabulary to describe smells, so training improves both discrimination and linguistic labeling. It is not yet possible to predict an odor perfectly from molecular structure, but that is the key step toward engineered fragrances and odor virtual reality. Artworks can preserve historically useful visual evidence for crop morphology when cross-checked against architecture, clothing, instruments, and other contextual clues. Paintings can reveal whether a crop variety was immature, mature, or coexisting with another variety, as in the case of watermelon. Potatoes and tomatoes were slow to be embraced in Europe because of fear and association with poisonous nightshades. Hearing loss is common, often noticed first in restaurants, and many people wait years before seeking help. Tinnitus currently has no cure; treatment is mainly masking, habituation, or amplification of other sounds. Military, industrial, urban, and entertainment noise exposures remain major causes of hearing damage, making prevention crucial. Consumer tech and hearing-aid innovations are blurring the line between headphones and hearing assistance devices.

Data Points: Coffee odor complexity: more than 800 separate individual molecules - Used to illustrate why odors are difficult for the brain to parse and for scientists to model Neural connections from vision to memory: 10 or 20 interconnections - Compared with olfaction to show why smell is less indirect than vision Neural connections in olfaction: 2 - From nose to olfactory bulb and then to memory/emotion-related brain areas Average delay before seeking hearing help: 10 years - Estimated average wait time between noticing hearing problems and doing something about them Potato adoption in Europe: not significant until the middle of the 18th century - Although the potato was known in Europe earlier, it was not widely used in cooking for a long time Watermelon historical evidence: 3,500 years ago - Genetic evidence from ancient Egypt suggests red-fleshed watermelon already existed Tomato appearance in painting after introduction: about 70 or 80 years - Time lag noted between tomato introduction in southern Spain and depiction in a Murillo kitchen scene Ocean noise source: largest single input is shipping - Human-generated sound in the oceans affecting marine mammals Military hearing aid purchases: largest single purchaser is the Veterans Administration - Shows the scale of hearing loss treatment among veterans

Pivotal Quotes: "Our goal in this study was to answer two main questions... why is it that you and I, Ira, both think that lemon and lime are similar to each other?" — Robert Data: Explaining the central research questions about odor similarity and personal variation in smell perception "In olfaction, the number is two." — Robert Data: Contrasting smell with vision to show the short route from nose to brain regions for memory and emotion "If you are in a museum... take a picture of the fruit or the vegetable that you find interesting, a weirdly shaped carrot or an odd-looking onion, we are interested." — Eve DeSmit and David Vergowen: Public call for help cataloging plant depictions in art to aid their research

Implications: The episodes suggest science is moving toward more precise models of smell, better historical reconstruction through art, and more usable hearing tech—but listeners still need awareness, language, and prevention to protect their senses.

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