How I Built This with Guy Raz
How I Built This with Guy Raz

Leading through radical change with Julia Hartz of Eventbrite

Back as the show’s first-ever ‘three-peat’ guest is Julia Hartz, co-founder and CEO of Eventbrite. The events industry has been transformed by the past three years, giving Julia the opportunity to evolve Eventbrite to better serve its key customers — event creators. This week on How I Built This Lab

Featured Speakers

Guy Raz | Wondery HostJulia Hartz Guest

Topics Discussed

Episode Summary

Executive Summary: Julia Hartz describes how Eventbrite survived COVID by radically cutting costs, raising capital, pausing to reset, and pivoting from a ticketing platform to a creator-focused marketplace. The company used the crisis to refocus on frequent creators, rebuild product fundamentals, expand marketing tools, and position itself as the place to discover and promote local live experiences.

Main Topics: COVID as an existential stress test (Priority: 5/5): Hartz explains that the pandemic nearly erased Eventbrite’s revenue in days, forcing emergency layoffs and a complete rethink of the business. Leadership under crisis (Priority: 5/5): She describes becoming a 'wartime CEO' by combining decisiveness, curiosity, empathy, and vulnerability while making hard decisions fast. Strategic reset and focus on creators (Priority: 5/5): Eventbrite used the shutdown to identify its best customers—frequent 'super creators'—and rebuild the product around helping them find and grow audiences. Eventbrite’s evolution into a marketplace (Priority: 4/5): The company is shifting from a pure ticketing fee model toward a discovery and marketing platform with promoted listings, ads, and creator tools. Virtual events as a bridge, not the destination (Priority: 4/5): Virtual events surged during lockdown but later declined sharply as in-person demand returned, confirming the enduring value of live gatherings. People strategy, remote work, and culture (Priority: 3/5): Hartz discusses adapting to remote-first work, tightening meeting discipline, and balancing compassion with high expectations for employees. Public-company pressures and resilience (Priority: 4/5): She addresses stock-price volatility, layoffs, capital discipline, and how being public helped Eventbrite raise convertible debt in crisis.

Key Arguments: The pandemic exposed Eventbrite’s fragility but also created a rare pause that let the company rebuild its strategy from first principles. Cutting costs severely and raising capital early were essential to survival; waiting would have been riskier. The most valuable customers are frequent creators, who generate a disproportionate share of revenue but need better tools. Eventbrite’s product must help creators market, advertise, and grow audiences—not just process ticket sales. Local event discovery remains an unsolved problem, and Eventbrite believes it can own that space because it already powers the underlying transactions. Leadership during crisis requires decisiveness, curiosity, empathy, and the willingness to stop trying to make everyone happy. Remote-first work can succeed if meetings are intentional, norms are clear, and managers focus on mentoring and project breadth. The company should avoid reacting to every political issue and instead focus on its core mission: enabling social connection and freedom of assembly.

Data Points: Revenue change at pandemic onset: record high ticket sales to negative revenue in 14 days - Hartz describing the immediate impact of COVID on Eventbrite Layoffs: about half of employees - April 2020 workforce reduction Employee count before layoffs: about 1,000 to 1,100 employees - Scale of Eventbrite’s workforce at the time Virtual event share: 1% to 90% to 10% - Share of events on Eventbrite during the pandemic and recovery COVID impact window: last moment was Omicron in very late 2021/early 2022 - Hartz describing the tail end of pandemic effects on business Revenue concentration: frequent creators produce a small portion of creators but a big portion of revenue - The customer segment Eventbrite decided to prioritize Ticketing fees: average of $3 - Typical Eventbrite ticketing fee mentioned by Hartz Revenue mix: 95% of revenue comes from ticketing fees - Current primary monetization source Consumer-paid fees: over 80% of the time - Most ticketing fees are paid by consumers rather than organizers Eventbrite ad/product rollout: back half of 2022 - Timing of promoted listings and ad features Acquisition integration: 5 months - Time to integrate Toneden and launch Eventbrite Boost Advertising return: 5 to 6x - Claimed ROI from Eventbrite’s marketing tools Per-event fee: about $10 per event for events selling over 25 tickets - New fee structure for marketing/advertising tooling Public market context: stock price about half of 2020 level - Hartz discussing market pressure on leadership and morale

Pivotal Quotes: "We went from record high ticket sales to negative revenue in 14 days." — Julia Hartz: Describing the speed and severity of the pandemic shock "I dropped that premise completely and I focused on really five areas of criticality for us." — Julia Hartz: Explaining how she stopped trying to make everyone happy and narrowed the company’s priorities "We are the best gathering company in the world." — Julia Hartz: Her framing of Eventbrite’s identity in a remote-first, post-pandemic environment

Implications: Eventbrite’s future depends on owning local event discovery and creator marketing, not just ticketing. The episode shows how crisis can force sharper strategy, better capital discipline, and a more durable product vision.

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About How I Built This with Guy Raz

Guy Raz interviews the world’s best-known entrepreneurs to learn how they built their iconic brands. In each episode, founders reveal deep, intimate moments of doubt and failure, and share insights on their eventual success. How I Built This is a master-class on innovation, creativity, leadership and how to navigate challenges of all kinds.New episodes release on Mondays and Thursdays. Listen to How I Built This on the Wondery App or wherever you listen to your podcasts. You can lis...

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