The Vergecast
The Vergecast

The next big thing in movies is 60-year-old IMAX tech

Christopher Nolan's The Odyssey is the first feature film ever shot entirely with IMAX 70mm film cameras, which is apparently a very big deal, and why it's been harder than usual to get a ticket to see Matt Damon. And now that Spider-Man is moving onto IMAX screens, it may be even harder t

Featured Speakers

Vox Media Podcast Network Host

Topics Discussed

Episode Summary

Executive Summary: The episode centers on why IMAX has become a cultural event again, using Christopher Nolan’s The Odyssey as the clearest example. The hosts and guest explain how true IMAX combines special cameras, 70mm film, projectors, and giant 1.43:1 screens to create a more immersive, detailed experience than standard or digital IMAX. They also cover the technical scarcity, cost, and marketing power behind the format, plus Disney’s newer “Infinity Vision” branding strategy.

Main Topics: What IMAX actually is: The discussion breaks down IMAX as a system of proprietary cameras, film stock, projection, and screen architecture—not just a big screen. Why IMAX feels immersive: The guest explains that true IMAX’s tall 1.43:1 aspect ratio and huge image size create a more enveloping, larger-than-life viewing experience, especially for epics. Christopher Nolan as IMAX’s public advocate: Nolan’s repeated use of IMAX across films like The Dark Knight, Interstellar, and Oppenheimer helped popularize the format and associate it with prestige spectacle. Technical and logistical barriers to true IMAX: 70mm IMAX is hard to produce and exhibit because the cameras are huge, loud, expensive, and rare; theaters also need specialized screens and infrastructure. Why the format is surging now: The Odyssey and other tentpole films have created hype, sellouts, and renewed enthusiasm for premium large-format moviegoing, especially among cinephiles. True IMAX vs digital IMAX vs regular screenings: The episode distinguishes between full-format 70mm IMAX, lower-fidelity digital IMAX, and standard presentations, noting that each offers a different amount of visual information. Disney’s Infinity Vision as a branding play: The conversation closes by contrasting IMAX with Disney’s upcoming Infinity Vision, described as a theater-standard label rather than a true filming/projection technology.

Key Arguments: IMAX is not merely a large auditorium; it is a whole ecosystem of cameras, film stock, projection systems, and specialized screens. True IMAX’s 1.43:1 aspect ratio and 70mm presentation can reveal more visual detail and create a stronger sense of scale than standard formats. Christopher Nolan has played a major role in making IMAX culturally legible and desirable by using it strategically in major films. The rarity of true IMAX is driven by aging equipment, missing blueprints, lost manufacturing capacity, and the high cost of retrofitting theaters. Shooting entirely on 70mm IMAX is technically difficult because the cameras are heavy, loud, and require modifications like blimps and special mirrors. Even when a film is great in standard format, IMAX can expose additional visual information and make creature, landscape, or action scenes feel more complete. Premium large-format moviegoing creates excitement and can help theaters, but it is not a simple cure for the industry’s broader attendance problems. Disney’s Infinity Vision appears to be a marketable label built around theater standards, not a true equivalent to IMAX’s production/projection pipeline.

Data Points: The Odyssey IMAX demand: Selling out theaters up to a year in advance - Used to illustrate the current hype around true IMAX screenings Number of true IMAX theaters: About 40 worldwide - Explains why full 70mm IMAX is so difficult to access IMAX aspect ratio: 1.43:1 - Described as the tall, immersive frame used in true IMAX presentations IMAX technology age: About 60 years old - Referenced as part of the format’s long history and unexpected comeback Projector age: About 50 years old - Many existing 70mm IMAX projectors are legacy systems that have been maintained rather than newly built Nintendo profit increase: 150% - Mentioned in the show’s news rundown before the IMAX segment Nintendo tariff refund: $300 million - Referenced as part of the company’s quarterly profit story Bose QuietComfort 2 price: $359 - Mentioned in the news segment as part of product announcements Even Realities smart glasses weight: 36 grams - From sponsor copy in the episode, describing lightweight smart glasses

Pivotal Quotes: "IMAX encompasses a handful of different proprietary filmmaking and projection technologies." — Charles Poulymont: Defines IMAX beyond the common assumption that it is simply a large screen "It is kind of like you're being pulled into the image." — Charles Poulymont: Explains the immersive effect of the true IMAX aspect ratio and presentation "I think that something else that this kind of film and films like it are doing are getting people to appreciate that, yeah, like seeing a film in one of these larger formats can be a very different kind of very fun, enjoyable experience." — Charles Poulymont: Summarizes the broader cultural value of large-format moviegoing

Implications: True IMAX will likely remain rare, expensive, and event-driven, but prestige films can still turn it into a must-see experience. Expect more studios to mimic its branding power, even if their systems are less technically rigorous.

🔓 Sign Up for Unlimited Episode Search

About The Vergecast

The Vergecast is the flagship podcast from The Verge about small gadgets, Big Tech, and everything in between. Every Friday, hosts Nilay Patel and David Pierce hang out and make sense of the week’s most important technology news. And every Tuesday, David leads a selection of The Verge’s expert staffers in an exploration of how gadgets and software affect our lives – and which ones you should bring into yours.

View all episodes from The Vergecast