Episode Summary
Executive Summary: The episode contrasts two figures shaped by modern American power: Kevin Warsh, the Trump-backed Fed nominee whose career reflects the post-2008 central bank expansion he criticizes, and Michael Jackson, whose life and art embody industrial discipline, global celebrity, and the bodily costs of fame. The hosts explore how institutions, politics, labor, and identity shape both monetary policy and pop culture.
Main Topics: Kevin Warsh’s biography and rise to Fed power (Priority: 5/5): Warsh is presented as a well-connected Republican lawyer, former Morgan Stanley banker, and former Fed governor whose career was forged in crisis-era policy and elite political networks, including Trump and the Lauder family. Warsh vs. the post-crisis Fed (Priority: 5/5): The discussion centers on Warsh’s criticism of quantitative easing, large-scale balance sheet expansion, and forward guidance, even though he helped implement some crisis interventions and voted for them while on the Fed. Fed independence, credibility, and the administrative state (Priority: 5/5): The hosts debate whether Warsh’s nomination strengthens or weakens central bank credibility, especially given Trump’s desire for lower rates and Warsh’s broader conservative campaign against technocratic state power. Forward guidance and the dot plot (Priority: 4/5): Warsh’s desire to end the Fed’s dot plot and reduce communication with markets is analyzed as part of a broader critique of Fed transparency, expectation management, and self-referential policymaking. Michael Jackson as industrial-era celebrity (Priority: 5/5): Jackson’s rise from Gary, Indiana is framed as a story of industrial America, black migration, family labor, and the transformation of performance into global celebrity through MTV and globalization. Jackson’s body, labor, and instability (Priority: 5/5): The second half examines Jackson’s performance as intense bodily labor—precision, discipline, pain management, surgery, and self-fashioning—alongside the psychological instability and darkness that marked his life.
Key Arguments: Warsh is less a pure technocrat than a political insider and conservative legal thinker whose monetary views are tied to anti-administrative-state ideology. His skepticism of QE and forward guidance reflects a belief that emergency central bank interventions should be temporary and rolled back after crises. The Fed’s post-2008 expansion blurred the line between monetary policy and broader political governance, fueling conservative backlash. Ending forward guidance and the dot plot could make the Fed more opaque and shift decision-making toward intuition, market mood, or informal power. Jackson’s career reflects the history of American industrial labor, black migration, and family discipline, not just entertainment. His global stardom emerged from the convergence of MTV, globalization, and the expansion of pop celebrity beyond earlier stars like Presley and the Beatles. Jackson’s body was both his instrument and a site of labor, pain, and self-reinvention, making his artistry inseparable from physical strain. His instability and self-alteration can be read as a product of both capitalist atomization and the pressure-cooker dynamics of family enterprise and racialized American history.
Data Points: Fed balance sheet: $6.7 trillion - Current size of the Federal Reserve’s balance sheet Fed balance sheet growth vs. pre-2008: About 7x larger - Compared with its size before the 2008 financial crisis Warsh Fed service: 2006-2011 - Period he served on the Federal Reserve Board of Governors Warsh age at Fed appointment: Youngest ever Fed governor - When nominated in January 2006 Gary steelworks peak workforce: 30,000 workers - Peak employment in the steelworks before industrial decline Gary steelworks post-decline workforce: 2,500 workers - Workforce after the industry’s collapse began in the late 1960s and early 1970s Gary population shift: 84% African-American - Approximate Black share of Gary’s population through the 1970s to the 2010s U.S. Steel Gary plant capacity: 8.3 million tons per year - Production capacity of the Gary Steelworks in its heyday
Pivotal Quotes: "The Fed often presents itself as a humble and technocratic institution hewing closely to the roommate." — Kevin Warsh (quoted): Warsh’s critique of the Fed’s self-description and institutional role "The more the Fed opines on matters outside of its remit, the more it jeopardizes its ability to ensure stable prices and full employment." — Kevin Warsh (quoted): Warsh arguing that the Fed should avoid climate, race, and social-policy issues "He is a smooth, very well-connected Republican insider, and he’s a lawyer." — Adam Tews: Characterization of Warsh’s background and governing style
Implications: The episode suggests that both central banking and pop stardom are deeply political forms shaped by institutions, class, race, and media systems. For listeners, it warns that Trump-era Fed leadership may combine ideology with opacity, while Jackson’s legacy reveals the costs of turning the body into a site of endless performance.
About Ones and Tooze
Foreign Policy economics columnist Adam Tooze, a history professor and a popular author, is encyclopedic about basically everything: from the COVID shutdown, to climate change, to pasta sauce. On our new podcast, Tooze and FP deputy editor Cameron Abadi will look at two data points each week that explain the world: one drawn from the week’s headlines and the other from just about anywhere else Tooze takes us. Check out Adam Tooze’s column at https://foreignpolicy.com/author/adam-tooze/.